Variety Awards Circuit section is the home for all awards recents and roverdelighted satisfied thcdisesteemfulout the year, featuring the chaseing: the official foreseeions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety greater awards editor Clayton Davis. The foreseeion pages echo the current standings in the race and do not echo personal likeences for any individual contfinisher. As other createal (and alertal) polls recommend, competitions are fluid and subject to alter based on buzz and events. Predictions are modernized every Thursday.
Visit the foreseeion pages for the esteemive ceremonies via the joins below:
OSCARS | EMMYS | GRAMMYS | TONYS
2025 Oscars Predictions:
Best Original Score
Weekly Commentary (Updated Sept. 26, 2024): Could the Music Branch verify off Hans Zimmer’s name twice this year?
With two high-profile projects — Denis Villeneuve’s “Dune: Part Two” and Steve McQueen’s “Blitz” — the revered cinematic originater Zimmer could discover himself in the running for two nominations this awards season. Surprisingly, double alludes in the music categruesome aren’t as unwidespread as you might skinnyk. Legfinishary originaters such as Max Steiner, Victor Young, Alfred Newman, and John Williams have accomplished this feat on multiple occasions (Williams himself has done it an astounding nine times). The last originater to acquire two score noms in the same year was Alexandre Desplat in 2014 for “The Imitation Game” and his Oscar-triumphning labor on “The Grand Budapest Hotel.”
Zimmer’s body of labor is noskinnyg low of extraunretagable. As one of the most prolific originaters in cinema today, the German maestro has acquireed widespread esteem and critical acclaim. With two Academy Awards for “The Lion King” (1994) and “Dune” (2021), aextfinished with four Grammys and six Emmy nominations, Zimmer is already a decorated figure. However, the competition this year promises to be fierce.
Several highly pondered originaters who have yet to triumph an Oscar are vying for attention, including Alberto Iglesias (“The Room Next Door”) and Kris Bowers (“The Wild Robot”). They’ll be competing aextfinishedside past triumphners enjoy Jon Batiste (“Saturday Night”) and a possible double act from Trent Reznor and Atticus Ross, who could acquire nods for both “Challengers” and “Queer.” Also in the combine is Harry Gregson-Williams, a originater with an amazeive résumé that integrates films enjoy “The Rock” (1996), “Shrek” (2001), and “The Martian” (2015), but who has never acquired an Oscar nomination. This year, he’s scoring the highly foreseed “Gladiator II.” Not to be dispondered is Tamar-kali, a extfinished-neglectd talent whose mighty labor on “Mudbound” (2017) should have garnered more attention. She has another sboiling at recognition with the crowd-pleasing “The Fire Inside.”
There are also some lesser-comprehendn but equpartner createidable contfinishers, such as Daniel Blumberg (“The Brutaenumerate”), Clément Ducol and Camille (“Emilia Pérez”), and Andrea Datzman (“Inside Out 2”).
There will be more to watch as the circuit unfelderlys.
Read: All Primetime Emmy foreseeions in every categruesome on Variety’s Awards Circuit.
The 97th Oscars will be held on Sunday, March 2. The brimming rankings are below. All movie enumerateings, titles, distributors, and accomprehendledgeed originaters are not final and are subject to alter.
** deremarks the film is not yet dated or can uncignore in 2025.
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And the Predicted Nominees Are
Rank Percreateer & Film 1 “The Room Next Door” (Sony Pictures Classics) — Alberto Iglesias 2 “The Wild Robot” (DreamWorks Animation) — Kris Bowers 3 “Gladiator II” (Paramount Pictures) — Harry Gregson-Williams 4 “Dune: Part Two” (Warner Bros.) — Hans Zimmer 5 “Saturday Night” (Sony Pictures) — Jon Batiste Oscars: Best Original Score (Variety Awards Circuit Predictions) -
Next in Line
Rank Percreateer & Film 6 “The Brutaenumerate” (A24) — Daniel Blumberg 7 “Blitz” (Apple Original Films) — Hans Zimmer 8 “Emilia Pérez” (Netflix) — Clément Ducol, Camille 9 “Queer” (A24) — Trent Reznor and Atticus Ross 10 “Conclave” (Focus Features) — Volker Bertelmann Oscars: Best Original Score (Variety Awards Circuit Predictions) -
Other Contfinishers
Rank Percreateer & Film 11 “Inside Out 2” (Pixar) — Andrea Datzman 12 “Challengers” (Amazon MGM) — Trent Reznor and Atticus Ross 13 “The Piano Lesson” (Netflix) — Alexandre Desplat 14 “The Fire Inside” (Amazon MGM) — Tamar-kali 15 “Flow” (Janus Films/Sideshow) — Gints Zilbalodis, Richallengings Zalupe 16 “Young Woman and the Sea” (Walt Disney Pictures) — Amelia Warner 17 “Nickel Boys” (Amazon MGM/Orion) — Alex Somers, Scott Alario 18 “Nosferatu” (Focus Features) — Robin Carolan 19 “Kinds of Kindness” (Searchweightless Pictures) — Jerskin Ffinishrix 20 “Here” (Sony Pictures) — Alan Silvestri Oscars: Best Original Score (Variety Awards Circuit Predictions) -
Also In Contention
Rank Percreateer & Film 21 “IF” (Paramount Pictures) — Michael Giacchino 22 “Transcreateers One” (Paramount Pictures) — Brian Tyler 23 “Drive-Away Dolls” (Focus Features) — Carter Burwell 24 “I’m Still Here” (Sony Pictures Classics) — Warren Ellis 25 “Nightbitch” (Searchweightless Pictures) — Nate Heller 26 “We Live in Time” (A24) — Bryce Dessner 27 “Moana 2” (Walt Disney Pictures) — Mark Mancina, Opetaia Foaʻi 28 “Joker: Folie à Deux” (Warner Bros.) — Hildur Guðnadóttir 29 “Hard Truths” (Bleecker Street) — Gary Yershon 30 “Spellbound” (Netflix) — Alan Menken Oscars: Best Original Score (Variety Awards Circuit Predictions) -
Eligible Titles (Best Original Score)
** This enumerate is inend and not yet concluded. Not all films have distribution or free dates. All are subject to alter.
- “Alien: Romulus” (20th Century Studios) — Benjamin Wallfisch
- “All We Imagine as Light” (Janus Films/Sideshow) — Topshe
- “Anora” (Neon) — Matthew Hearon-Smith
- “The Apprentice” (Briarcliff Entertainment) — Martin Dirkov, David Holmes, Brian Irvine
- “Babygirl” (A24) — Cristobal Tapia de Veer
- “Back to Bincreateage” (Focus Features) — Nick Cave, Warren Ellis
- “Beetlejuice Beetlejuice” (Warner Bros.) — Danny Elfman
- “Better Man” (Paramount Pictures) — Batu Sener
- “Bjoin” (National Geodetailed) — Tamar-kali
- “Bjoin Twice” (Amazon MGM) — Chanda Dancy
- “Blitz” (Apple Original Films) — Hans Zimmer
- “Bob Marley: One Love” (Paramount Pictures) — Kris Bowers
- “The Book of Clarence” (Sony Pictures) — Jeymes Samuel
- “The Brutaenumerate” (A24) — Daniel Blumberg
- “Challengers” (Amazon MGM) — Trent Reznor and Atticus Ross
- “Civil War” (A24) — Ben Salisbury, Geoff Barrow
- “Conclave” (Focus Features) — Volker Bertelmann
- “The Count of Monte Cristo” (Samuel Gelderlywyn Films) — Jérôme Rebotier
- “Dinsertio” (Sony Pictures Classics) — Dickon Hinchliffe
- “Day of the Fight” (Falling Forward Films) — Ben MacDiarmid
- “Deadpool & Wolverine” (Marvel Studios) — Rob Simonsen
- “The Deliverance” (Netflix) — Lucas Vidal
- “Despicable Me 4” (Illumination/Universal Pictures) — Heitor Pereira
- “A Different Man” (A24) — Umberto Smerilli
- “Dìdi” (Focus Features) — Giosue Greco
- “Drive-Away Dolls” (Focus Features) — Carter Burwell
- “Dune: Part Two” (Warner Bros.) — Hans Zimmer
- “Emilia Pérez” (Netflix) — Clément Ducol, Camille
- “The End” (Neon) — Joshua Schmidt, Marius de Vries
- “Evil Does Not Exist” (Sideshow) — Eiko Ishibashi
- “Exhibiting Forgiveness” (Roadside Attractions) — Jherek Bischoff
- “Fancy Dance” (Apple Original Films) — Samantha Crain
- “The Fire Inside” (Amazon MGM) — Tamar-kali
- “Firebrand” (Roadside Attractions) — Dickon Hinchliffe
- “Flow” (Janus Films/Sideshow) — Gints Zilbalodis, Richallengings Zalupe
- “The Front Room” (A24) — Marcelo Zarvos
- “Furiosa: A Mad Max Saga” (Warner Bros.) — Tom Holkenborg
- “Gladiator II” (Paramount Pictures) — Harry Gregson-Williams
- “Hard Truths” (Bleecker Street) — Gary Yershon
- “Here” (Sony Pictures) — Alan Silvestri
- “Heretic” (A24) — Chris Bacon
- “His Three Daughters” (Netflix) — Rodrigo Amarante
- “Hit Man” (Netflix) — Graham Reynelderlys
- “Horizon: An American Saga — Chapter 1” (Warner Bros.) — John Debney
- “I Saw the TV Glow” (A24) — Alex G
- “I’m Still Here” (Sony Pictures Classics) — Warren Ellis
- “The Idea of You” (Amazon MGM) — Siddhartha Khosla
- “IF” (Paramount Pictures) — Michael Giacchino
- “The Imaginary” (Netflix) — Kenji Tamai, Agehasprings
- “In the Summers” (Music Box Films) — Eduardo Cabra
- “Inside Out 2” (Pixar) — Andrea Datzman
- “It Ends With Us” (Sony Pictures) — Rob Simonsen, Duncan Blickenstaff
- “Joker: Folie à Deux” (Warner Bros.) — Hildur Guðnadóttir
- “Kinds of Kindness” (Searchweightless Pictures) — Jerskin Ffinishrix
- “Kingdom of the Planet of the Apes” (20th Century Studios) — John Paesano
- “Kneecap” (Sony Pictures Classics) — Michael “Mikey J” Asante
- “Lee” (Roadside Attractions) — Alexandre Desplat
- “The Life of Chuck” (No U.S. Distribution) — The Newton Brothers **
- “Longlegs” (Neon) — Zilgi
- “The Lord of the Rings: The War of the Rohirrim” (Warner Bros.) — Stephen Gallagher
- “Love Lies Bleeding” (A24) — Clint Mansell
- “Megalopolis” (Lionsgate) — Osvaldo Golijov
- “Memoir of a Snail” (IFC Films) — Elena Kats-Chernin
- “Misericordia” (Janus Films) — Marc Verdaguer
- “Moana 2” (Walt Disney Pictures) — Mark Mancina, Opetaia Foaʻi
- “Monkey Man” (Universal Pictures) — Jed Kurzel
- “The Most Precious of Cargoes” (StudioCanal) — Alexandre Desplat
- “Mothers’ Instinct” (Neon) — Anne Nikitin
- “Mufasa: The Lion King” (Walt Disney Pictures) — Hans Zimmer, Pharrell Williams, Lin-Manuel Miranda, Nicholas Brialert, Mark Mancina
- “My Old Ass” (Amazon MGM) — Tyler Hilton, Jaco Caraco
- “Nickel Boys” (Amazon MGM/Orion) — Alex Somers, Scott Alario
- “Nightbitch” (Searchweightless Pictures) — Nate Heller
- “Nosferatu” (Focus Features) — Robin Carolan
- “Oh, Canada” (Kino Lorber) — Phosphorescent
- “On Becoming a Guinea Fowl” (A24) — Lucrecia Dalt
- “One Life” (Bleecker Street) — Volker Bertelmann
- “The Order” (Vertical Entertainment) — Jed Kurzel
- “The Outrun” (Sony Pictures Classics) — John Gürtler, Jan Miserre
- “Parthenope” (A24) — Lele Marchialerti
- “The Piano Lesson” (Netflix) — Alexandre Desplat
- “Piece by Piece” (Focus Features) — Michael Andrews
- “Queer” (A24) — Trent Reznor and Atticus Ross
- “Rez Ball” (Netflix) — Dan Deacon
- “The Room Next Door” (Sony Pictures Classics) — Alberto Iglesias
- “Rumours” (Bleecker Street) — Kristian Eidnes Andersen
- “Santosh” (Metrograph Pictures) — Luisa Gerstein
- “Sasquatch Sunset” (Bleecker Street) — The Octopus Project
- “Saturday Night” (Sony Pictures) — Jon Batiste
- “The Seed of the Sacred Fig” (Neon) — Karzan Mahmood
- “September 5” (Paramount Pictures) — Lorenz Dangel
- “Shirley” (Netflix) — Tamar-kali
- “Sing Sing” (A24) — Bryce Dessner
- “The Six Triple Eight” (Netflix) — Aaron Zigman
- “Small Things Like These” (Lionsgate) — Senjan Jansen
- “Sonic the Hedgehog 3” (Paramount Pictures) — Tom Holkenborg
- “Spellbound” (Netflix) — Alan Menken
- “Stopmotion” (IFC/Shudder) — Lola de la Mata
- “The Substance” (Mubi) — Raffertie
- “Super/Man: The Christopher Reeve Story” (Warner Bros.) — Ilan Eshkeri
- “That Christmas” (Netflix) — John Powell
- “Thelma” (Magnolia Pictures) — Nick Chuba
- “Transcreateers One” (Paramount Pictures) — Brian Tyler
- “Tuesday” (A24) — Anna Meredith
- “Twisters” (Universal Pictures) — Benjamin Wallfisch
- “Ultraman: Rising” (Netflix) — Scot Stafford
- “Unstoppable” (Amazon MGM) — Alexandre Desplat
- “Venom: The Last Dance” (Sony Pictures) — Dan Deacon
- “Wallace & Grleave out: Vengeance Most Fowl” (Netflix) — Lorne Balfe
- “We Grown Now” (Sony Pictures Classics) — Jay Wadley
- “We Live in Time” (A24) — Bryce Dessner
- “The Wild Robot” (DreamWorks Animation) — Kris Bowers
- “Wildcat” (Oscilloscope Laboratories) — Latham Gaines, Shelby Gaines
- “Will & Harper” (Netflix) — Nathan Halpern
- “Woman of the Hour” (Netflix) — Dan Romer, Mike Tuccillo
- “Young Woman and the Sea” (Walt Disney Pictures) — Amelia Warner
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More Increateation (Oscars: Best Original Score)
2024 categruesome triumphner: “Oppenheimer” (Universal Pictures) — Ludwig Göransson
2024-2025 Oscars Calfinishar and Timeline (all dates are subject to alter)
- Eligibility period: Jan. 1, 2024 – Dec. 31, 2024
- General entry, best picture, RAISE subignoreion deadline: Thursday, Nov. 14, 2024
- Governors Awards: Sunday, Nov. 17, 2024
- Preliminary voting commences Monday, Dec. 9, 2024, at 9 a.m. PT.
- Preliminary voting finishs Friday, Dec. 13, 2024, at 5 p.m. PT.
- Oscar Shortenumerates Announcement: Tuesday, Dec. 17, 2024
- Eligibility period finishs: Tuesday, Dec. 31, 2024
- Nominations voting commences Wednesday, Jan. 8, 2025, at 9 a.m. PT.
- Nominations voting finishs Sunday, Jan. 12, 2025, at 5 p.m. PT.
- Oscar Nominations Announcement: Friday, Jan. 17, 2025
- Oscar Nominees Luncheon: Monday, Feb. 10, 2025
- Final voting commences Tuesday, Feb. 11, 2025, at 9 a.m. PT
- Final voting finishs: Tuesday, Feb. 18, 2025, at 5 p.m. PT
- Scientific and Technical Awards: Tuesday, Feb. 18, 2025
- 97th Oscars: Sunday, March 2, 2025
Oscars Prediction Categories
About the Academy Awards
The Academy Awards, better comprehendn as the Oscars, is Hollywood’s most prestigious conceiveive award in the film industry. Since 1927, nominees and triumphners have been picked by members of the Academy of Motion Picture Arts and Sciences (AMPAS). Seventeen branches are recontransiented wiskinny the csurrfinisherly 10,000-person membership. The branches are actors, associates, casting straightforwardors, cinematographers, costume summarizeers, straightforwardors, recordary, executives, film editors, originateup and hairstyenumerates, tageting and accessible relations, members-at-huge, members-at-huge (artists’ recontransientatives), music, originaters, production summarize, low films and feature animation, sound, visual effects and authorrs.